Bihar - Madhubani Arts

Traditionally this art was practiced by women only to decorate their huts during religious and important occasions. Nowadays men have also taken up this art form and paintings are done on paper, cloth, canvas etc. But even though women in the villages around Madhubani have been practicing their folk art for centuries, the world at large has come to know about these women and to consider them to be "artists" only in the last thirty years. Even now, most of their work remains anonymous. The women, some of them illiterate, are in any case reluctant to consider themselves individual producers of "works of art" and only a few of them mark the paintings with their own name.


The colors used were traditionally derived from natural sources like plants, charcoal soot, ochre etc. Black color is obtained by mixing soot with cow dung.Yellow color is obtained from turmeric or pollen or lime and the milk of banyan leaves. Blue from Indigo. Red from Kusum flower juice, red sandalwood or rose. Green from the leaves of apple trees, White from rice powder, Orange from palasha flowers.


Madhubani paintings mostly depict nature and Hindu religious motifs, and the themes generally revolve around Hindu deities like Krishna, Rama, Shiva, Durga, Lakshmi, Saraswati. Natural objects like the sun, the moon and religious plants like Tulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally no space is left empty ; the gaps are filled by paintings of flowers, animals, birds and even geometric designs. Objects depicted in the walls of kohabar ghar (where newly wed couple see each other in the first night) are symbols of sexual pleasure and procreation.Legend says that this artform originated during the time of Ramayana when King Janak commissioned artists to paint pictures of his daughter Sita getting married to Rama.



A Madhubani painting in the Godana style by Chano Devi, depicting a scene from the myth of God Salhesa. (right) A painting of Goddess Kali in the Bharni style by Krishnakant Jha.

MITHILA, the birthplace of Sita of the Ramayana, lies in the state of Bihar, bounded by the Himalayas in the north and the rivers Kosi, Ganga and Gandak in the east, south and west respectively. Over centuries, the people of Mithila have developed their own tradition of art, popularly known as Madhubani painting, named after a district and a town in the region. What is unique about this tradition - which dates back to the 7th century A.D., and is prevalent even today - is that it is the women who mastered and practiced it.

In their earliest form, Madhubani paintings appear as aripana (floor paintings) and kohabar (wall paintings), done by the women of the Brahmin and the Kayastha castes. Painters today do it on paper. An exhibition of such paintings, titled "Mithila Paintings", was held in Kolkata from January 3 to January 12. It was curated by Neel Rekha, an art historian, whose dissertation on the women painters of Mithila titled "Art and Assertion of Identity: Women and Madhubani Paintings" is to be published shortly.

Traditionally, Madhubani paintings were made on the eve of certain rituals and ceremonies, such as pujas, vratas, or weddings. According to Neel Rekha, who has stayed with the painters and traced the roots of the folk art tradition, these paintings may have had their origins in tantric rituals. Mithila has from time immemorial been a seat of the tantric tradition, with strong leanings towards the Saiva and Sakti cults. The tradition found expression in domestic rituals, and that is perhaps why the art form was once restricted to women. But that did not stop the artists from transcending the domain of practical utility in order to create something exquisite from an aesthetic point of view.

I have created a Blog to depict the entire Work and art of Madhubani.
http://madhubanii.blogspot.com/